Defiant Images: Photography and Apartheid South Africa

Authors

Darren Newbury
Brighton University

Keywords:

Struggle history, apartheid, photojournalism, freedom struggle, Africa, South Africa

Synopsis

`This book is much more than just a discourse on photography in the land of apartheid. And it goes well beyond sophisticated debate on the artistic merits of images. While keeping the lens trained on the evolution of photography it plunges the reader into a sharp and evocative sociocultural history of a country in deep conflict.’ – Albie Sachs

Photography is often believed to witness history or reflect society, but such perspectives fail to account for the complex ways in which photographs get made and seen, and the variety of motivations and social and political factors that shape the vision of the world that photographs provide. This book develops a critical historical method for engaging with photographs of South Africa during the apartheid period. The author looks closely at the photographs in their original contexts and their relationship to the politics of the time, listens to the voices of the photographers to try and understand how they viewed the work they were doing, and examines the place of photography in a postapartheid era. Based on interviews with photographers, editors and curators, and through the analysis of photographs held in collections and displayed in museums, this research addresses the significance of photography in South Africa during the second half of the twentieth century

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Author Biography

Darren Newbury, Brighton University

Darren Newbury’s principal research interests lie in the relationship between photography, history, politics and cultural memory, with a particular concentration on Africa, and South Africa specifically. Significant publications include: Defiant Images: Photography and Apartheid South Africa (2009), a major monograph on photography during the apartheid period and its place in post-apartheid memorialisation; People Apart: 1950s Cape Town Revisited (2013), a photobook based on the recently rediscovered collection of photographer Bryan Heseltine; and The African Photographic Archive: Research and Curatorial Strategies (2015), co-edited with Christopher Morton, a volume exploring new methodological approaches to researching and curating the photographic archive, in addition to its specifically African concerns. He has also recently co-edited a Special Issue of Visual Studies on ‘Photography and African Futures’ (2018) with Richard Vokes, which through a series of case studies examines how and why, from early colonial times onwards, states, institutions, political parties, civil society organizations and individual citizens used photography as a means for representing various kinds of imagined futures. In addition to academic publications, he has curated exhibitions at the Pitt Rivers Museum, University of Oxford (2011-12) and District Six Museum, Cape Town (2013-14), based on his photographic research.

He has also researched and published on the history of British documentary photography, photographic education and community photography practices. He has a long-standing interest in visual research methods and was editor of the international journal Visual Studies from 2003 to 2015.

He has recently edited a volume on Women and Photography in Africa, with Lorena Rizzo and Kylie Thomas; and is working on a major study of the role of photography in US public diplomacy in Africa during the period of the Cold War and African decolonisation.

In 2020, he received the Royal Anthropological Institute Photography Committee Award for his distinguished contribution to the study of photography and anthropology.

 

Cover image: front: ``Defiant Images: Photography and Apartheid South Africa

Published

April 26, 2009